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IWO JIMA SCULPTURE, MODEL FOR MARINE WAR
MEMORIAL,
IS LOSING ITS HOME ON FLOATING MUSEUM --
"...Something
that large is going to need special care. Not
many
museums could afford that sort of care."

The Iwo Jima sculpture at the
Intrepid Sea, Air and Space Museum in May 2003. (photo: Librado
Romero / The New York Times) |
For more information on the Intrepid museum, use the VA Watchdog search engine...click here...
http://www.yourvabenefits.org/sessearch
.php?q=INTREPID+MUSEUM&op=and
Story here...
http://www.nytimes.com/2007/
08/01/nyregion/01iwojima.html?_r=
1&ref=nyregion&oref=slogin
Story below:
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Iwo Jima Sculpture, Model for Marine War
Memorial, Is Losing Its Home on Floating Museum
By PATRICK McGEEHAN
A 62-year-old sculpture of the flag-raising on Iwo Jima is getting the
heave-ho from the museum on the aircraft carrier Intrepid while the ship
is docked in Staten Island for an overhaul, museum officials and the
sculpture’s owner said yesterday.
The five-ton sculpture, which served as a model for the United States
Marine Corps War Memorial in Arlington, Va., has been on display at the
Intrepid Sea, Air and Space Museum since 1995. But museum officials, who
are starting to renovate the ship’s interior, said they declined to buy
the sculpture from its owner, Rodney Hilton Brown, and asked him to
remove it from the ship by September.
Mr. Brown, a Manhattan mortgage banker who acquired the sculpture from
its creator, Felix de Weldon, is now searching for another museum that
will make space for the piece, which is 16 feet long and, with its flag,
20 feet high.
The sculpture commemorates the planting of the American flag on Mount
Suribachi in February 1945, during one of the bloodiest battles of World
War II. The moment was captured in a Pulitzer Prize-winning photograph
and has since become the iconic image of the Marines of that era.
The sculpture on the Intrepid, which is made of cement and plaster over
a steel skeleton, was used in the 1940s to promote the sale of war bonds
by the Treasury Department. Another, which Mr. de Weldon carved out of
limestone, sits at the Marine Corps base in Quantico, Va. After making
those two pieces, Mr. de Weldon, an Austrian-born sculptor, oversaw
production of the 100-ton Marine Corps War Memorial, which was cast in
bronze in Brooklyn, then installed in Arlington in 1954.
Mr. Brown said he obtained his sculpture from Mr. de Weldon in exchange
for a violin that Mr. de Weldon believed to be a Stradivarius, as well
as a sword and an undisclosed amount of cash. He then had it restored
and coated with a bronze-tinged finish.
“Everybody thought I was crazy to restore this monster,” Mr. Brown said.
On the 50th anniversary of the flag-raising, the restored sculpture went
on display on the hangar deck of the Intrepid, an Essex-class carrier
that was commissioned in 1943 and became a maritime museum on the West
Side of Manhattan in 1982. Over the years, the museum has broadened its
theme to all branches of the military and beyond. Its collection has
included Army helicopters, fighter jets built in the Soviet Union and
Italy, even a Concorde supersonic passenger plane.
When the Intrepid had to move from its longtime mooring last year so
that its pier could be rebuilt, museum officials began pruning the
exhibits. Some aircraft were returned to the Army and Navy, and a
booster engine from a Saturn rocket went back to the National Air and
Space Museum, said Bill White, president of the foundation that runs the
Intrepid museum.
Mr. White said that the foundation had raised $8 million to renovate the
ship’s interior before it returns to Pier 86 on the West Side in the
fall of 2008. Within that budget, he said, the foundation could not
afford to buy Mr. Brown’s sculpture, Mr. White said. He declined to say
how much Mr. Brown had asked for it.
“I believe that there is one Iwo Jima monument, and that is in
Washington, D.C.,” Mr. White added, referring to the Marine Corps War
Memorial.
Mr. White said the foundation was trying to acquire a fitting
replacement for the sculpture to represent the contribution and
sacrifice of the Marines.
That task may be less daunting than Mr. Brown’s quest for a new home for
his sculpture. He has already appealed to the National Museum of the
Marine Corps, which opened in November in Triangle, Va.
Although that museum has a Sherman tank on display and an exhibit
devoted to the American assault on Iwo Jima, Lin Ezell, the museum’s
director, said that Mr. Brown’s sculpture “wouldn’t fit” into its
program.
“It falls into an anomalous category, because it’s not the final work
and something that large is going to need special care,” Ms. Ezell said.
“Not many museums could afford it that sort of care.”
-------------------------
Larry Scott --